7th
Annual
ASA International
Screenplay Competition
Interview
of Kaenan Oliver by Moviebytes
Taken from:
MovieBytes Email Update
Screenwriting Contests & Markets
Online
October 23, 2004
Volume 8, Number 42
http://www.moviebytes.com
9. MovieBytes
Interview: Screenwriter Kaenan Oliver
=================================================================
An interview
with screenwriter Kaenan Oliver regarding the
American Screenwriters
Association Screenwriting Competition.
Q: What's
the title of the script you entered in this contest,
and what's
it about?
A: HOLLOW CROWN
is the story of a moral man in amoral times. Our
Richard III
bears no relation to Shakespeare's malignant
humpbacked
tyrant, fighting instead as England's last
warrior-king,
attempting to bring decades of civil war to an end.
We follow
his struggle, trapped between the scheming intrigues of
a power-hungry
kingmaker and the forbidden love of his ambitious
niece who
holds the key to a disputed crown.
Q: What
made you enter this particular contest? Have you entered
any other
contests with this script? If so, how did you do?
A: My partners
and I felt the American Screenwriter's Association
sponsored
a prestigious competition that might welcome a period
drama. The
script was also a semifinalist in the Chesterfield
Film Project.
Q: Were
you satisfied with the adminstration of the contest? Did
they meet
their deadlines? Did you receive all the awards that
were promised?
A: We received
our prizes promptly and were very happy with both
the ASA and
Writer's Digest staffs (co-involved in this
competition).
They have been available and answered all our
questions
about publicity and awards.
Q: Were
you given any feedback on your script? If so, did you
find the
feedback helpful?
A: We received
a single set of judge's notes soon after the
results were
announced and examined the script with those
thoughts in
mind. We've become known to some as fearless
rewriters,
so we're eager to receive helpful feedback and would
love to get
further information from competition judges wherever
available.
Q: Has your
success in this contest helped you market your
script?
Were you contacted by any agents, managers or producers?
A: The publicity
has been invaluable. We've had many queries
about HOLLOW
CROWN and some definite nibbles. We also are meeting
with managers
and agents.
Q: What's
your background? Have you written any other screenplays
or television
scripts?
A: As a screenwriting
trio, we're a rarity in Hollywood. The fact
that we've
just finished our eighth script together in a very few
years makes
us even more unique. Jay Flynn began as an engineer
before gravitating
to television and film production while
working in
Europe. I came from the development side, while my
husband, Dominic
Oliver, also works an actor in TV, stage and
films. Before
teaming, we each had solo projects produced, but
the power
of the triple threat seems apparent by the responses
from Hollywood
film execs and the number of contest wins and
placements.
Our combined
backgrounds and interests allow us to work well in a
variety of
genres. We've written three action pieces: CONDUCT
UNBECOMING,
about a gay officer's quest for redemption in the
jungles of
Vietnam; HIGH SEAS, about modern pirates and freedom
fighters;
and OLD GLORY, in which a Navy desk officer and a ship
of veteran
seamen become unexpected heroes. NEW BREED is a teen
horror script
that's garnered considerable attention, and THE
PODFATHER
is a comedy about wannabe mobsters trying to muscle in
on the space
race. We recently finished a family film, TRAITOR'S
ROCK, about
a lonely American boy in Ireland whose quest to help
an ancient
ghost changes his life and the fate of a dying
village.
Q: Do you
live in Los Angeles? If not, do you have any plans to
move there?
A: We all live
in the Los Angeles area. We feel it's helped us to
establish
relationships with producers and executives in a town
that values
one-on-one contact.
Q: What's
next? Are you working on a new script?
A: We're currently
finishing a black comedy set in Central
America, based
on true events, and are adapting one of our
screenplays
into a novel. We've begun work on a true story from
Dominic's
childhood, and already have three ideas for the script
after that.
* * *
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